Posted on

Writers & Books Celebrates 19th year of Community Reads Program

Rochester NY: Last week, Writers & Books wrapped up the nineteenth year of its annual community reading program, Rochester Reads. This year the organization hosted Omar El Akkad, author of the award-winning novel American War. El Akkad’s residency in Rochester included 5 days of events, readings, book signings, and lectures. El Akkad visited various locations in Rochester and the Finger Lakes area including libraries (Central, Penfield, Wood, Greece), college campuses (MCC, FLCC, Geneseo, Nazareth College, St. John Fisher College), high schools (SOTA), a senior living center (Valley Manor), and the Monroe Correctional Facility. This year more than 1100 people attended these readings.

 

American War is a powerful and surprisingly prescient novel about a second US Civil War in the late 21st century. After climate change led to political upheaval and a decimation of the population, a plague is unleashed and further devastates the country’s population. One family is caught in the middle of the divided regions and conflicted alliances and the effects of this fractured country on a young girl has consequences for generations.

 

This is a narrative that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself. It is a story of ruin, of revenge, of division—but also a lesson in empathy, connection, and the ties that can either bind or break us.

 

“This year’s program offered an important novel that leaves an indelible impression on readers. And the myriad audiences who came out to see the author in person were treated to a thoughtful, engaging, wide-ranging conversation—and that community engagement is at the core of this program,” said Karen vanMeenen, Coordinator of Rochester Reads.

 

Copies of American War are on sale in the Writers & Books bookstore. Video is available of Omar El Akkad speaking at both Penfield Library and Wood Library.

 

Writers & Books is Rochester’s nationally renowned non-profit literary center located at 740 University Avenue, in the heart of Rochester’s Neighborhood of the Arts. In 2001, Writers & Books initiated the Rochester Reads program. The program seeks to encourage people to connect to others in our community through reading and discussion, and through the shared experience of literature. Each year Writers & Books selects one book for our community to explore together, leading to a residency by the author.

 

###

Posted on

Local Poet Craig Morgan Teicher to Share Poetry From Latest Award-Winning Book

Writers & Books hosts award-winning local poet in celebration of National Poetry Month

Rochester NY: Join us on Friday, April 12th at 7:00 PM to hear Craig Morgan Teicher share poetry from his latest award-winning poetry book as well as previous publications. This event is $3 for members and $6 for the general public and takes place at Writers & Books on 740 University Avenue, Rochester, NY.

Craig Morgan Teicher received an MFA from Columbia University in 2005. He is the author of The Trembling Answers (BOA Editions, 2017), winner of the 2018 Lenore Marshall Poetry Prize, To Keep Love Blurry (BOA Editions, 2012), Brenda Is in the Room and Other Poems (Center for Literary Publishing, 2008), and Cradle Book (BOA Editions, 2010), a collection of stories and fables.

 

Teicher is a literary critic, and his essays and reviews have appeared in numerous publications. He teaches at The New School and New York University and lives in New Jersey with his wife, the poet Brenda Shaughnessy, and their children. More information on Teicher and praise for his work can be found on his website here.

April is national poetry month and Writers & Books is pleased to be hosting several award-winning poets and poetry events over the course of the month. This event follows the poetry and music performance by Ad Hoc Music at Writers & Books on April 11th at 7 PM titled Words and Music, Music and Words.

Media questions can be directed to Chris Fanning at chrisf@wab.org

Posted on

Alison Meyers named new Executive Director of Writers & Books

Rochester NY, April 2019: Bruce Gianniny, president of Writers & Books Board of Directors, announced that after a nationwide search, the Rochester-based literary center has named Alison Meyers as its next executive director.

“We are excited to begin working with Alison Meyers in mid May, when she will be moving to Rochester,” said Gianniny. “We are confident Alison has the skills and experience to build programs at both our University Avenue location and the Gell retreat in the Bristol Hills.”

Meyers is a veteran nonprofit leader, currently working as a literary arts consultant. From 2006-2016, she was executive director of Cave Canem Foundation in Brooklyn, N.Y., the nation’s pre-eminent organization for African American poets and poetry. She also has served as director of development at the Community of Literary Magazines and Presses in New York City, poetry director and director of marketing at Hill-Stead Museum in Farmington, Conn., and general manager of the Oberlin (Ohio) Consumers Co-op.

“I’m thrilled to join the committed Writers & Books team, and look forward to building on an inspirational legacy bequeathed by founding director Joe Flaherty,” said Meyers “I look forward to partnering with the organization’s terrific staff, board of directors, and volunteers; engaging with Rochester’s rich history and diverse communities; and helping advance the critical role literature has to play, regionally and nationally, in our complicated times.”

Meyers is a Pushcart Prize-nominated poet and fiction writer, whose work appears in journals, in the anthology Gathered Light: The Poetry of Joni Mitchell’s Songs (Three O’Clock Press), and at http://www.alisonmeyers.com. For many years, she owned and managed Everyday Books & Café, a Connecticut-based independant bookstore.

“Choosing a new leader for an organization is a difficult but energizing task,” said Flaherty, who returned to the organization in November to serve as interim director. “The selection process must take into account both the history and culture of the organization as well as the direction that the organization would like to go.

Flaherty adds “Alison’s extensive experience in the non-profit literary world, and her obvious passion for promoting reading and writing within a community setting, allowed us to know that we had found the ideal individual to confidently lead Writers & Books into the next exciting chapter in our role as Rochester’s world-class literary center.”

For further information, or to set up an interview contact: Chris Fanning, Director of Communications at 585.473.2590 ext 104 or email at chrisf@wab.org

 

(photo credit is Rachel Eliza Griffiths)

###

Posted on

“Writing Novels: It’s a Habit” by J Mulrooney

 

I’m sometimes asked how you write a novel.  The best advice I ever got was “500 words a day.”  That’s it. It’s a habit you get into, like orange juice with breakfast, cat videos on Facebook, or complaining about things you’re not going to change.  

500 words is two double-spaced typed pages.  I have small crabbed printing, so 500 words is about what I get on two single-spaced pages of a notebook.  On a good day, or if I’m strapped for time, I might do that in an hour, sometimes less.

Getting started can be tough, so the best practice is to end your 500 words with a few notes on what comes next: Sister Marguerite buys pistachios to burn down the convent – fire insurance? or Sex scene: Larry asks Madge to be more vocal in bed.  Madge: “Did you put the clothes in the dryer?” Sex life not improved.  When you open your notebook tomorrow, you know what to write next.  A writer I know advises stopping in the middle of a sentence: Madge raised the axe, looked into Larry’s confused face, and –  Cut it off there.  Pick that up tomorrow and you’re right back in the middle of the argument.  

Forgive yourself when you miss a day.  The 500 word imperative is about today and tomorrow, not yesterday.  If you commit to 500 words but miss Tuesday and Saturday, that’s okay.  At the end of the week you’ve still got 2,500 words. Miss a couple of days every week?  You’ll still have 10,000 words at the end of the month. The pages accumulate. Do that every month and that’s 60,000 words at the end of six months, about 240 pages.  There’s a draft of your novel.

Writing novels is a lifestyle.  You have to be able to sustain the work over time.  Writing becomes a habit, another thing you do every day.  You don’t win a marathon with an inspired burst of energy, you win by running 35 miles a week, week after week and month after month.  Novelists are marathon runners.

Get to it.  

Mulrooney will be teaching a miniworkshop on writing dialogue and running a writer’s workshop at Writers and Books in April 2019.  You can find details on his courses here.

He is the author of An Equation of Almost Infinite Complexity, a novel which made him a Campbell award finalist for best new writer of science fiction and fantasy, and The Day Immanuel Kant was Late, a book of stories.  

Posted on

The Stories You Need to Tell by Sejal Shah

Sejal Shah

“Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it.” –Ursula K. Le Guin

Six years ago, I was talking to my friend Marijana after a yoga class. I wanted to teach something at Writers & Books and the proposal deadline was drawing near. Marijana asked me, Well, what are you interested in? I said, I want to create a class that helps students access important stories—those stories they’ve always meant to write. I’ve now taught The Stories You Need to Tell three times: in 2013, 2014 and 2016. It’s one of my favorite classes.

There are the stories you carry around with you—just by being human. Stories we repeat, and stories we never tell. Both to preserve them or to transform them or to release them, telling our stories changes us. Something changes in the process of writing them down. Though Stories You Need to Tell is officially classified as memoir, I also welcome those who write fiction and draw from autobiographical stories.

We’ll have six weeks to write together, to make time to write the stories that matter most to you—perhaps related to family history or something in your own younger life.

A turning point in my writing life came when I was able to complete an essay about the death of a close friend. It was a story I needed to write. That essay began with a prompt from a writing class and then took a couple of years to finish. But I wrote it and I did finish it. Here’s a link:

Street Scene

And here’s vignette or short piece about Cobb’s Hill. It’s so satisfying to write about places important to us.

Bird

Read Sejal Shah’s instructor bio:

Sejal Shah

For more information on Sejal’s workshop:

The Stories You Need to Tell: Mixed Level Memoir

Course description:

This course gives students the support, structure, and inspiration to begin or continue writing. We will read creative nonfiction essays by contemporary writers, generate a few first drafts through writing exercises, and take one short essay of your own through a round of revision. I will offer writing prompts. We will cover topics such establishing setting, accessing your bank of images, and where to begin (first paragraph, first sentence), and strategies for revision.